Krzysztof Honowski works regularly in theatre as a video designer and camera operator. His credits include work for Schaubühne Berlin, Residenztheater Munich, Schauspiel Frankfurt, Schauspiel Köln, Schauspielhaus Bochum, and Staatsoper Berlin. He has worked regularly with the directors Robert Borgmann and Katie Mitchell, as well as with Luk Perceval, Eva-Maria Höckmayr, Sanja Mitrović, Volker Lösch, and Ersan Mondtag, among others.

Please click on the images and videos below to see some examples of this work. For a portfolio with full credits, please get in touch via Email:

kmhonowski@gmail.com

 
 

Dantons Tod, premiere September 2023, Schauspielhaus Bochum, Dir. Robert Borgmann, Photo: JU Bochum

 

META - SLEEP, premiere Schauspiel Köln, March 2023, Dir. Robert Borgmann, Photo: Krafft Angerer

 

King Roger, premiere Kiel Opera House, February 2023, Dir. Dirk Schmeding, Photo: Olaf Struck

 

Das Märchen vom Zaren Saltan, premiere Staatsoper Hannover, January 2023, Dir. Eva-Maria Höckmayr, Photo: Sandra Then

 

Phaedra, premiere Schauspiel Köln, November 2022, Dir. Ersan Mondtag, Photo: Birgit Hupfeld

 

Schwanda the Bagpiper, premiere Oper Graz, December 2021, Dir. Dirk Schmeding

 

Oblomow Revisited, premiere Schauspiel Köln, November 2021, Nominated for the Nachtkritik Theatertreffen, preserved in the archive of the Academy of the Arts, Berlin, Dir. Luk Perceval

 

Video Design for Hamlet, premiere at Residenztheater Munich, May 2021, Dir. Robert Borgmann, Photo: Birgit Hupfeld

 

Production Still Gier:Crave, premiere at Schauspiel Frankfurt, September 2020. Photo: Robert Schittko

 

Gier:Crave, premiere Schauspiel Frankfurt, September 2020, Dir. Robert Borgmann

 

Danke Deutschland – Cảm ơn nước Đức, premiere Schaubühne Berlin, April 2019, Dir. Sanja Mitrovic

 

Fidelio, premiere Oper Bonn, January 2020, Dir. Volker Lösch

 

I’d rather Goya robbed me of sleep than some arsehole, premiere Schaubühne Berlin, March 2011, Dir. Rodrigo García

 

Miss Julie, premiere Schaubühne Berlin, September 2010, Dir. Katie Mitchell, Photo: Stephen Cummiskey